I write at my little desk in the attic. Amongst a mess of
papers in the home-office. Sprawled in a white peeling Adirondack
chair on the farmer’s porch.
Occasionally, when I need background noise to quiet my mind,
I write at a restaurant bar. I’m almost always approached by strangers when I
write in public places. There is a curiosity or wonder about what I’m
journaling and recording.
Sometimes these interruptions are annoying. Other times they
lead to wonderful conversations and opportunities to learn.
I’m about a quarter of the way into four books; I read them
concurrently. Some as reference tools, a few others as self-help techniques. In
Natalie Goldberg’s Writing Down the Bones
she imparts the advice: Trust in love and it will take you where you want to
go.
Maybe, in exploring what it is you love to do it’s more along
the lines of: Trust in yourself and you
will get there.
I watch my daughter as she prances around the kitchen in her
blue underwear. She’s round and tan and smooth. Her three year old pot belly
juts over her legs. She’s got a criss-cross of tan lines on her shoulder
blades. A scraped knee. Bug bites. A tangled nest of black curls bouncing across
her forehead.
She sways and sings and dances.
Often, she will choose not to wear underwear as she boogies.
She’s naked and free-spirited.
As we age, a stigma is attached to the naked body. There is
a vulnerability to it. A shame, even.
In writing, we allow ourselves to get naked. But still, like
showing your body for the first time, there is a fear of judgment. And yet to
be a truly great writer, you need to overcome fear of what someone will think
of your thoughts in the same way that, to be secure with your physicality, you
need to abandon the fear of being evaluated on your flaws.
If, as I write or process, I stumble upon something flawed, raw
or frightening, I embrace it.
There’s great value in chasing what it is about you that
frightens you most. It’s a hub of buzzing vibrating energy.
And when you figure it out?
Take pleasure in the cool waters of calm that follow.
Recently, I sat down with a friend in the publishing
business. He had just finished writing a book. I asked him how he went about
setting a center to his creation.
He advised me to focus on the skeleton and later fill in the
flesh.
Those words wrap around my head like a toy train on a
restaurant wall: Write the skeleton. Fill
the flesh.
Another friend sat down with me to discuss my need, my ache,
to make writing my craft.
He smacked me with the explanation that it already is. Told me to slow down and look both
ways. To take time and breathe.
Write the skeleton; fill the flesh. Take time; take breath.
When I write, one of my biggest goals is to take in the
sentiment that what I produce is not all going to be good. Singers warm their
voices. Runners stretch their legs. A writer limbers the mind with writing
exercise.
I don’t always want to practice. I don’t always want to run.
But, I force myself to. And sometimes the practice is difficult. The words
don’t come smoothly. I run my hand across the page and write whatever comes to
mind. I force my sneakers to push the ground even if I don’t much feel like
doing it.
In the repetition and the practice though, comes a sweet
sizzle.
A plume of smoke that starts small and curls upward.
A signal.
An idea in a breath.
The crackle of a first thought.
In repetition there is freedom because the stake is not just
on one time. I am not lacing up my shoes to run the fastest 5K. I am not
sitting at my notebook to write the next great poem.
But then, the road disappears.
The paper falls away.
And there is just me:
Open.
Truthful.
Breathing.
The energy captures me and my hand starts flying across the
page. I don’t think about handwriting,
punctuation or spelling errors. I’ll get to those later, in the editing phase.
My mind blanks and I am taken over. I just let the thoughts come out.
The etymology of the word inspiration is: “the immediate
influence of G-d.”
From Old French the history is: “Inhaling; breathing in”.
The ability to breathe in and write down the moment pulls a
honking old transfer switch attached directly to a rainbow.
Bam!
The world is in color.
Embrace it.